St. Roch in Lisbon–and New York!

In this interior view of the Church of St. Roch in Lisbon, you can see the famously expensive Chapel of St. John the Baptist. One reason it was so expensive os the large amount of lapis lazuli used on the front of the altar and the walls of the chapel.

My recent post about St. Roch was much more popular–and sparked some very interesting comments and responses–than I had anticipated and prompted me to think a little bit more about the good saint.

The most famous church dedicated to St. Roch is in Lisbon, Portugal. (There are a half dozen churches dedicated to him in the metropolitan area of New York City.) The church in Lisbon was the earliest Jesuit church in the Portuguese world, and one of the first Jesuit churches anywhere. The Igreja de São Roque was one of the few buildings in Lisbon to survive the disastrous 1755 earthquake relatively unscathed.

When built in the 16th century it was the first Jesuit church designed in the “auditorium-church” style specifically for preaching. It contains a number of chapels; the most notable is the 18th-century Chapel of St. John the Baptist which was constructed in Rome of many precious stones and disassembled, shipped, and reconstructed at São Roque in Lisbon; at the time it was reportedly the most expensive chapel in Europe.

The history of the church is fascinating. In 1505 Lisbon was being ravaged by the plague, which had arrived by ship from Italy. The king and the court were even forced to flee Lisbon for a while. The site of São Roque, outside the city walls (now an area known as the Bairro Alto), became a cemetery for plague victims. At the same time the King of Portugal sent to Venice for a relic of St. Roch, the patron saint of plague victims, whose body had been brought to Venice in 1485. The relic was sent by the Venetian government, and it was carried in procession up the hill to the plague cemetery.

The inhabitants of Lisbon then decided to erect a shrine on the site to house the relic. This early shrine had a “Plague Courtyard” for the burial of plague victims next to the shrine. In 1540, after the founding of the Society of Jesus in the 1530s, the king of Portugal invited them to come to Lisbon and the first Jesuits soon arrived. They settled first in All Saints Hospital (which no longer exists). However they soon began looking for a larger, more permanent location for their main church, and selected the Shrine of St. Roch as their favored site. They used the old shrine for a while but built the current church in 1555-1565.

St. Roch himself is usually represented in the garb of a pilgrim, often lifting his tunic to demonstrate the plague sore, or bubo, in his thigh, and accompanied by a dog carrying a loaf in its mouth. The Third Order of Saint Francis claims him as a member and includes his feast on its own calendar of saints, observing it on August 17. There is a popular street festival in his honor in Little Italy at the end of August each summer; read about it here.

Good King Wenceslaus and the Apocalypse

The casket containing the relics of St. Wenceslaus in the chapel of the Prague cathedral. (photo by S. Morris)

Looking across the St. Wenceslaus chapel in the Prague cathedral; note the wooden door taken from the church where St. Wenceslaus was murdered . (photo by S. Morris)

Looking into the chapel of St. Wenceslaus in the Prague Cathedral. (Photo by S. Morris)

The chapel of “Good King Wenceslaus” in the Prague cathedral is a dazzling display of both royal and apocalyptic glory! The good king–perhaps best known for his Christmas carol was actually the duke of Bohemia but he was the functional equivalent of a king–was murdered by his pagan brother Boleslav in AD 935. Wenceslaus (in Czech, his name is “Vaclav”) was murdered by hired killers as he was arriving at a country church for the baptism of his nephew, Boleslav’s son; Boleslav had invited Wenceslaus to be the boy’s godfather as a pretext to get Wenceslaus out into the country so that he could be more easily murdered. Boleslav seized the throne and was a cruel, hedonistic ruler. He died in AD 967, after ruling for more than 30 years. But he was forced by popular opinion to have his brother Wenceslaus’ body brought back to Prague in AD 938 and buried in a small church near the castle. Wenceslaus was acclaimed as a saint.

The famous emperor Charles IV–who built the great Charles Bridge as well as many of the beautiful buildings that we still see in Prague–had a chapel built for the relics of St. Wenceslaus in the new cathedral of St. Vitus that was being built in the 1300s.

The design of the chapel is based on the description of the heavenly Jerusalem in the Apocalypse, commonly known as the Book of Revelation. The chapel is square, just as the heavenly city was described, rather than rectangular. The walls of the chapel are studded with the precious jewels the walls of the heavenly city were said to be built with. There is a small door in one corner which leads to a stairway which leads to a small room in which the crown jewels are kept; this door has seven locks and the seven keys–held by various important officials in the government and cathedral staff–are needed to open it. These seven locks and keys are based on the locks and keys held by seven archangels in the Book of Revelation. The windows of the chapel fill the square room with light just as the Heavenly Jerusalem was said to be filled with light. The massive doors to the chapel are the same doors of the country church that Wenceslaus was entering as he was murdered by his brother.

The chapel of St. Wenceslaus reproduces the splendor of the heavenly Jerusalem because the saints are thought to be the first citizens of the New Jerusalem. The first saints said to inhabit the heavenly city are the martyrs–those killed for their faith–and St. Wenceslaus is the first martyr of the Czech region. He was also thought to be the perfect model of a good king who cares for his people more than for himself and the living image of Christ the King who gives up his life so that his people might live. When I was in Prague in early April, I was struck again by the stunning beauty of the entire cathedral and of the chapel of St. Wenceslaus in particular.

Chapel 1

Chapel 2

Chapel 3

Chapel 4

Chapel 5