Candlemas (February 2, 2019)=Beginning of Spring

Marking the 40th day after Christmas, Candlemas celebrates the triumph of light/spring over darkness/winter. Candles blessed on this day were among the most powerful talismans available to ordinary folk in the Middle Ages.

Candlemas, the name taken from the custom of blessing the year’s supply of candles on this day, is the 40th day after Christmas and marks the day Jesus was brought into the Temple by the Mother of God and acclaimed by the elder Simeon as “the light of revelation to the Gentiles and the glory of … Israel.” He also told the Mother of God that a sword would pierce her own heart during the ministry of her Son.

Candlemas, attached to the older feast of Imbolc and the quarter-day between Winter Solstice and Vernal Equinox and thus marking the first day of spring, was even more popular than Christmas in many areas (such as those under the influence of Byzantium and Byzantine Christian culture). People would flock to the churches to obtain the candles blessed on this day as the power of these candles to dispel darkness, death, illness, demons, and nearly anything else that might be considered dangerous to humans was widely reputed to make them the most powerful weapons in the medieval arsenal against evil.

It was also common in western Europe for new archbishops or other leading churchmen to receive their pallium (the “stole,” a vestment similar to a scarf that drapes around the shoulders) on this day, woven from wool sheared from lambs on St. Agnes’ day (January 21).

10th century illumination of St. Gregory the Great wearing his pallium.

10th century illumination of St. Gregory the Great wearing his pallium.

Spring is Sprung!

Snowdrops at a creek announce Imbolc. The first blooms of snowdrops or blackthorns or the first birth of the new lambs were often considered the announcement of Imbolc's arrival. (photo by Tony Eaglehart)

Snowdrops at a creek announce Imbolc. The first blooms of snowdrops or blackthorns or the first birth of the new lambs were often considered the announcement of Imbolc’s arrival. (photo by Tony Eaglehart)

The Celtic — and magical! — festival of Imbolc, celebrated February 1-2, was considered the first day of spring in Celtic cultures and across Europe in general during the medieval period. Although we nowadays generally consider the solstice or equinox the first day of a season (December 21 as the first day of winter, March 21 as the first day of spring, June 21 as the first day of summer, and September 21 as the beginning of autumn), those days were previously considered the mid-seasons. (That is why we can sing Christmas carols about “midwinter” in December and have Midsummer night dreams in June!) The traditional changes of the seasons were the “quarter days” which marked the midpoints between the mid-seasons. So we get the Celtic/magical festivals of Samhain (October 31, the first day of winter), Imbolc (February 1-2, the beginning of spring), Beltane (May, the first day of summer), and Lammas (August 1, the beginning of autumn).

Because Imbolc is the beginning of spring, it is often associated with various means of predicting the coming weather which is so crucial during the planting season of agricultural societies. Hence, we consult the groundhog to determine if he sees his shadow or not in order to know if cold and snow will last another six weeks or not. In Serbia, a bear who wakes from his hibernation to stumble out of his cave and see his shadow will know whether to go back to sleep for another six weeks or not, based on whether he sees his shadow. Imbolc was believed to be when the Cailleach—the divine hag of Gaelic tradition—gathers her firewood for the rest of the winter. Legend has it that if she wishes to make the winter last a good while longer, she will make sure the weather on Imbolc is bright and sunny, so she can gather plenty of firewood. Therefore, people would be relieved if Imbolc is a day of foul weather, as it means the Cailleach is asleep and winter is almost over. At Imbolc on the Isle of Man, where she is known as Caillagh ny Groamagh, the Cailleach is said to take the form of a gigantic bird carrying sticks in her beak.

Aoife and Strongbow

The Marriage of Strongbow and Aoife by Cork born historical painter Daniel Maclise (1806-1870) at the National Gallery of Ireland

The Marriage of Strongbow and Aoife by Cork born historical painter Daniel Maclise (1806-1870) at the National Gallery of Ireland

Aoife, princess of Leinster, wed the English knight known as “Strongbow” on August 25, AD 1170. Aoife’s father, Diarmait Mac Murchada, had lost his seat as king of Leinster and sought military aid from England to reclaim it. Richard de Clare, a minor knight at the English court, responded to the Irish king’s request for aid; Diarmait promised that whichever knight helped him regain the throne would be given the his daughter Aoife as wife. Richard brought 1,200 fighting men with him and won the battle at Waterford, Ireland on August 23. He and Aoife were married on August 25 on the shore of the River Suir beneath a great oak tree that came to be known as “Strongbow’s Oak.” (The painting above shows the couple being wed in front of the stone tower that was built later alongside the oak.)

According to Irish law at that time, both the man and the woman had to consent to the marriage; it is fair to conclude that Aoife accepted her father’s arrangements. Aoife led troops in battle and is sometimes known as Red Eva (Aoife Rua).

When Diarmait died the next year, Strongbow claimed the throne by right of his marriage to Aoife and began the English occupation of Ireland which continued until the Irish Free State was established in 1922.

Aoife had two sons and a daughter with her husband Strongbow, and via their daughter, Isabel de Clare, within a few generations their descendants included much of the nobility of Europe including all the monarchs of Scotland since Robert I (1274–1329) and all those of England, Great Britain and the United Kingdom since Henry IV (1367–1413); and, apart from Anne of Cleves, all the queen consorts of Henry VIII.

Later folktales also identify Strongbow’s Oak as the location of the grave of the young woman known as the dearg-due (“red blood sucker”) who rises from the dead to seduce and kill men, lapping up their blood to sustain herself. The girl who became the dearg due was herself said to have been beaten to death by her English husband and he was her first victim when she rose from the grave as the vampire woman. The dearg due is an important character in the Come Hell or High Water trilogy.

In my upcoming project Earth to Earth, Ashes to Ashes the princess Aoife makes a bargain with the goddess Badb to be sure that Strongbow wins the battle; the English occupation of Ireland is therefore the result of witchcraft and magic. The goddess Badb is involved in creating the dearg due in an attempt to drive at least some of the English away from Waterford itself.