Doubting Midwife

“Doubting midwife?” Where did she come from? There is no mention of a midwife in Matthew’s or Luke’s account of Christ’s nativity. This woman is the “Doubting Thomas” of the Nativity cycle.

According to the Protoevangelium, Joseph brings the Blessed Virgin to Bethlehem but as there is “no room at the inn,” he settles her in a stable–a cave, not a barn–as her labor begins. He goes to find midwives to assist in the birth.

Joseph quickly finds a pair of local midwives and brings them back to the stable-cave but none of them can enter because of the brilliant light shining within. As the light gradually fades, they are able to see the Virgin and the newborn baby. They enter and begin to tend to mother and child.

The first midwife washes and examines the new mother and is startled to discover that Blessed Mary is still a virgin. She reports this to the other midwife who doubts this and reaches out to examine Blessed Mary herself. But her hand withers as it nears the Virgin’s birth canal and even feels as if it were burning. She quickly withdraws her hand but it remains paralyzed and withered; as she struggles to assist in washing the newborn baby, she is healed by touching the child or by the water splashing from the tub–different versions of the story report both styles of healing. This second, doubting midwife proclaims that the new mother is indeed still a virgin and that the miraculous withering-healing of her hand is the sign of this and the miraculous nature of the new baby.

The midwife–who is eventually identified as Salome, possibly the same Salome that brings myrrh to Christ’s tomb with Mary Magdalen–has the same experience as Moses at the burning bush. Moses’ hand withers and is struck with leprosy because he asks for proof that it is truly God who is speaking to him. Isaiah is purged by a burning coal from the heavenly altar, just as the midwife’s hand feels as if it is burning. The midwife exclaims, “Woe is me! Because of my lawlessness and unbelief!” just as Isaiah exclaimed, “Woe is me! I am a man of unclean lips and I dwell among a people of unclean lips!” The midwife’s healing is also an allusion to the healing of the woman with the 12-years issue of blood who is healed simply by touching the hem of Christ’s garment in the crowd.

Just as the Apostle Thomas says he will not believe that Christ is risen unless he touches the wounds in Christ’s hands and side, the midwife cannot believe the report of the first midwife unless she also touches the evidence of the miracle. The disbelief of the apostle and the midwife is healed by touch; both Thomas and Salome testify to the truth of God’s action in the world because they have handled the evidence themselves.

Why is it important that the Mother of God remain ever-virgin? Her perpetual virginity is a safeguard of our status as brothers and sisters of Christ; if she had other biological children who were biological relatives of Christ, it would relegate Christian believers to second-rank status in the Church. Some members–the biological relatives–would be MORE the “brothers and sisters of Christ” than other believers who were not biological relatives. In order to avoid this two-tier system in the Church and to prevent a dynasty of Christ’s relatives from ruling the nascent Christian community, it was important that Mary have no other biological children. (We see in the Gospels themselves that she had no other children or Christ would not need to commend her to the care of St. John, the Beloved Disciple, at the Crucifixion. Those people the Gospels refer to as Christ’s brothers and sisters were his cousins or stepbrothers and stepsisters, the children of Joseph’s first marriage.)

Read my prior post about the stable-cave in which Christ was born here.

Read my prior post about the goldfinch often seen in portrayals of the Virgin and Child here.

The Manger in the Cave

Eastern Orthodox icon of the birth of Christ by St. Andrei Rublev, 15th century. Note that the shepherd speaking with St. Joseph in the lower left is shown in profile, a pose reserved only for this shepherd, the Devil,  and for Judas Iscariot and which indicates their interior wickedness and efforts to hide themselves from God. Also, the cave in which Christ is born is painted with the same absolute black pigment -- unmixed with any other dark colors, which is more usual -- as is the tomb of Christ or the abyss of Hell, into which the Divine Presence has entered.

Eastern Orthodox icon of the birth of Christ by St. Andrei Rublev, 15th century. Note that the shepherd speaking with St. Joseph in the lower left is shown in profile, a pose reserved only for this shepherd, the Devil, and for Judas Iscariot and which indicates their interior wickedness and efforts to hide themselves from God. Also, the cave in which Christ is born is painted with the same absolute black pigment — unmixed with any other dark colors, which is more usual — as is the tomb of Christ or the abyss of Hell, into which the Divine Presence has entered.

We talk about Christ being born in a manger, in a stable and most crèche scenes have the manger inside a straw-roofed hut. But traditional depictions based on ancient models, like the icon above, show the manger inside a cave instead of a straw-roofed hut. The Church of the Nativity in Bethlehem also marks the traditional place of the manger inside a cave beneath the church. Why?

In the Middle East, animals were often stabled in the small caves that dotted the countryside. The inn at Bethlehem that offered a place to Joseph and Mary doubtless had a stable-cave attached. But in western Europe during the 1200s, when it began to be common to erect crèche scenes, the stables there that people were used to seeing were huts. Not caves. So Europeans and Americans expect to see a manger in a hut, not a cave. But the cave was the more likely, original, and actual location of the manger.

A lot of traditional poetry for both Christmas and Good Friday point out that Christ was born and buried in a cave that belonged to someone else, each time protected by a man named Joseph. His swaddling bands, the strips of cloth a baby was wrapped in to keep him/her warm and cozy, look like a the strips of cloth a corpse might be wrapped in. The manger itself looks like a coffin. The celebration of the incarnation and birth of Christ already points to the celebration of his death and resurrection.

In Orthodox icons (such as the one above), the Star of Bethlehem is often depicted not as a bright light but as a dark aureola, a semicircle at the top of the icon, indicating the “divine darkness” or Uncreated Light of Divine grace, with a ray pointing to “the place where the young child lay” (Matt 2:9). Sometimes the faint image of an angel is drawn inside the dark semi-circle, pointing the way for the Magi.

Seven Sleepers

Illuminated manuscript from the 14th century shows the seven sleepers being walled into the cave.

In Christian and Islamic tradition, the Seven Sleepers of Ephesus is the story of a group of seven youths who hid inside a cave outside the city of Ephesus around 250 AD to escape a religious persecution. The fell asleep and came out of the cave 300 years later.

The story says that during the persecutions by the Roman emperor Decius, around 250 AD, seven young men were accused of following Christianity. They were given some time to recant their faith, but chose instead to give their worldly goods to the poor and retire to a mountain cave to pray, where they fell asleep. The emperor, Decius, ordered the mouth of the cave to be sealed.

Decius died in 251, and many years passed during which Christianity went from being persecuted to being the state religion of the Roman Empire. At some later time – usually given as during the reign of Theodosius II (408–450) – the landowner decided to open up the sealed mouth of the cave, thinking to use it as a cattle pen. He opened it and found the sleepers inside. They awoke, imagining that they had slept but one day, and sent one of their number to Ephesus to buy food, with instructions to be careful lest the pagans recognize and seize him.

Upon arriving in the city, this person was astounded to find buildings with crosses attached; the townspeople for their part were astounded to find a man trying to spend old coins from the reign of Decius. The bishop was summoned to interview the sleepers; they told him their miracle story, and died praising God.

The survival of the Seven Sleepers in the cave was taken as proof of the possibility of the general resurrection of the dead, which some were denying in the fifth century. The Seven Sleepers were invoked by people suffering terrible nightmares. Their aid was also sought by people suffering insomnia or who could not sleep because of great pain or other illness.

The story appears in Christian collections of saints’ lives and in the Qur’an (Surah Al-Kahf, verse 9–26) and is thus important to Islam. The Quranic story does not state the exact number of sleepers, but gives the number of years that they slept as 300 solar years (equivalent to 309 lunar years). The Islamic version includes mention of a dog who accompanied the youths into the cave and appears to keep watch. In Islam, these youths are referred to as “The People of the Cave”.

The flag of Kelantan in the 19th century, located in present-day Malaysia, incorporated elements from the Islamic interpretation of the story. In the surah, the dog is believed to act as a guardian, looking out for the believers until they awake.

See more icons of the Seven Sleepers here.