Harvest and Winepress

Detail of a miniature showing the Last Judgement from the “Queen Mary Apocalypse”, early 1300s (Royal MS 19 B XV, f. 40r).

Then I looked, and … another angel came out of the Temple and called in a loud voice… “Put in your sickle and harvest for the hour of the harvest has come, for the harvest of the earth is fully ripe. (Apocalypse 14:14-15)

In much of the New Testament (Matthew 13) or the Old Testament prophets (Isaiah 17, Jeremiah 51, Joel 3), the images or parables about the harvest use the image of “harvest” as a way to talk about the Last Judgment, the End of Days. Often, the idea of harvest includes the idea of condemnation: the wicked will be harvested and condemned to their eternal punishment. But in the Apocalypse, the idea of harvest is about salvation rather than condemnation. The righteous are ripe–they have withstood the test of persecution–and they are harvested in the Apocalypse, not the wicked; the righteous are harvested and gathered before the Throne of God as crops are gathered into a barn for safekeeping.

But after the righteous are harvested, the wicked are gathered into the divine winepress. The “great winepress of God’s wrath” (Apoc. 14:19) is outside the heavenly city, just as the Cross was erected outside the walls of Jerusalem. The winepress grinds up those flung into it and their blood pours out as the grape juice flows from a winepress on earth, ready to be made into wine. Christ is flung into the divine winepress on the Cross and his blood pours out into the chalice of the Eucharist; in the Apocalypse, the wicked are thrown into the divine winepress which is outside the city–outside the Church–and they are trodden as grapes are trodden. But they do not emerge from the winepress victorious, as the martyrs do. The wicked are destroyed in the winepress because they choose to align themselves with the dragon–all the powers that oppose God and the Lamb.

Harvest and winepress. Bread and wine. How we choose to prepare for (1 Cor. 11) or respond to these experiences results in our salvation or condemnation. Often in ways that we do not expect.

“Happy Birthday!” to the BVM

The Nativity of the Virgin by Andrea di Bartolo (1360/70 – 1428). He was an Italian painter, stained glass designer, and illuminator of the Sienese School mainly known for his religious subjects. He was active between 1389–1428 in the area in and around Siena. (This painting hangs in the National Gallery)

A feast in honor of the Blessed Virgin Mary’s birth seems to have been held in Syria and Palestine in the sixth century. This celebration was accepted and adopted by the Roman Church at the end of the seventh century. It spread very slowly through the rest of Europe but by the twelfth century, it was observed throughout both Western and Eastern Europe as one of the major feasts of Mary. It remained a holy day of obligation among Roman Catholics until 1918.

In many places of central and eastern Europe the Feast of Mary’s Nativity is traditionally connected with ancient farming customs and celebrations, much like Thanksgiving Day in the U.S. September 8 itself marks the end of the summer in popular reckoning; September 8 also marks the beginning of “after-summer” and the start of the fall planting season. A blessing of the harvest and of the seed grains for the winter crops is performed in many churches.

In central and northern Europe, according to ancient belief, September 8 is also the day on which the swallows leave for the sunny skies of the South.

In the Alps, the “down-driving” (Abtrieb) begins on September 8. Cattle and sheep are taken from their summer pastures on the high mountain slopes where they have roamed for months, and descend in long caravans to the valleys to take up their winter quarters in the warm stables. The animals at the front of the procession wear elaborate decorations of flowers and ribbons; the rest carry branches of evergreen between their horns and little bells around their necks. The shepherds and other caretakers accompany the procession, dressed in all their finery and decorated with Alpine flowers, yodeling, and cracking whips to provoke a multiple echo from the surrounding mountain cliffs. Arriving at the bottom of the valley in the evening, they find the whole village or town awaiting them in a festive mood. Ample fodder is served to the cattle in the stables, and each family has a banquet that includes the farm hands. In some sections of Austria all the milk obtained on Drive-Down Day is given to the poor in honor of our Lady, together with the meat, bread, and pastries left over from the feast in the evening.

If, however, the farmer who owns the cattle has died during the summer, the “downdriving” is performed without decorations and in silence. Each animal then wears a mourning wreath of purple or black crepe.

In the wine-growing sections of France, September 8 is the day of the grape harvest festival. The owners of vineyards bring their best grapes to church to have them blessed; in Greece, the first grapes are ripe a month earlier so the Greeks bring the grapes into church to be blessed on August 6; the French have the grapes blessed and afterward tie some of them to the hands of the statue of the Virgin. The Feast of Mary’s Nativity is called “Our Lady of the Grape Harvest” in those sections, and a festive meal is held at which the first grapes of the new harvest are consumed.

St. Nina and the Georgians

This 20th century icon of St. Nina shows her holding her cross made of sturdy grape vines.

St. Nina, said to be a relative of the famous St. George who killed the dragon, is thought to be the saintly missionary who brought Christianity to the people of Georgia just as St. Patrick brought Christianity to the Irish. Nina was a young girl of a pious family who was apparently abducted and sold into slavery in Georgia. Her prayers healed both the king and the queen on different occasions. Deprived of any other devotional aids, she made a cross from very sturdy grape vines and is often depicted holding the vine-cross. She has many feast days in Georgia, commemorating various events in her life; her principal feast day is January 14, the anniversary of her death in AD 340, her “birthday into heaven.”

The people of Georgia have a fascinating collection of folklore and tales. According to one story, God decided to make life easier for those who were driven out of Eden and forced to work hard on Earth. After a long time of thinking, God decided to create a beverage that would let people return to Paradise for even a short time. He invited all the angels and the devil to taste his creation: wine.

Everyone liked wine, including the devil, but the devil felt obligated to compete with God. So, the devil created chacha, a potent alcoholic drink made from the remains of crushed wine grapes, and invited God to taste it. God drank one glass of chacha, then a second, a third and a fourth. After the fourth, he said to the devil, “Those who will drink three glasses of chacha may be on my side, but anyone who drinks more than that will be yours!”

This icon depicts St. Nina of Georgia, holding her grapevine cross, with her relative St. George the Great-Martyr.

A contemporary icon from Georgia, depicting St. Nina holding her cross made of grape vines, with scenes from her life.