Tag Archives: Bernard of Clairvaux

Daughters of God

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At left, Mercy and Truth as women, veiled with wimples, labelled MISERICORD and VERITE, stand facing, grasping each others hands. At right, two women kiss, Justice, wearing hat, holding sword with right hand, and Mercy, wearing hat, and holding casket with both hands. They flank Gabriel, back-turned, raising scepter with left hand, kneeling, looking up toward Trinity in arc of Heaven. (Book of hours (Ms. Pierpont Morgan Library. M.73) (Paris, France, ca. 1475.)

“Mercy and truth have met together; righteousness and peace have kissed each other. Truth shall spring up from the earth, and righteousness shall look down from heaven.” (Psalm 85:10-11)

These four virtues–mercy, truth, righteousness, and peace–are often referred to as “the four daughters of God.” The virtues come to be seen as personifications, four celestial women, similar to angels or archangels. The most important contributors to the development and circulation of the motif were the twelfth-century monks Hugh of St Victor and Bernard of Clairvaux. (Christian thought might have have been inspired by an earlier eleventh-century Jewish Midrash, in which Truth, Justice, Mercy and Peace were the four standards of the Throne of God.)

The four daughters might sometimes be thought to be gathered around Christ on the Cross as they–all four–are manifest in differing ways by the Crucifixion and Resurrection of Christ. The verse, “Truth shall spring up from the earth and righteousness … look down from heaven” might also be associated with the Nativity of Christ and his–Truth’s–springing up on the earth and being laid in a manger while Righteousness–the other persons of the Holy Trinity–look down on the scene in Bethlehem. The association of the four daughters with the Incarnation is underscored because they also appear in two sermons by St. Guerric of Igny on Luke 2 “for February 2:

“In this gathering [of the Virgin Mary, Christ, St. Joseph with SS. Simeon and Anna] finally mercy and truth have met … the merciful redemption of Jesus and the truthful witness of the old man and woman. In this meeting, justice and peace kissed when the justice of the devout old man and woman and the peace of him who reconciles the world were united in the kiss of their affections and in spiritual joy.” (Sermon 16.6)

“Rightly then are compassion and truth or faith joined together, since in all our ways–unless compassion and truth meet–it is to be feared that sins will be increased rather than purified…. [There is no forgiveness] if compassion is lacking faith or faith, compassion.” (Sermon 18.5)

The motif of the four daughters of God was influential in European thought. In 1274-76, Magnus VI of Norway introduced the first “national” law-code for Norway and makes prominent use of the allegorical four daughters of God: Mercy, Truth, Justice, and Peace. These daughters have the important role of expressing the idea—which was innovative in the Norwegian legal system at the time—of equality before the law.

The motif changed and developed in later medieval literature, but the usual form was a debate between the daughters (sometimes in the presence of God):

about the wisdom of creating humanity and about the propriety of strict justice or mercy for the fallen human race. Justice and Truth appear for the prosecution, representing the old Law, while Mercy speaks for the defense, and Peace presides over their reconciliation when Mercy prevails. *Michael Murphy, ‘Four Daughters of God’, in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91. )

This psalm is also often suggested in traditional prayer books as a preparation for receiving Holy Communion. The communicant prepares to join the fellowship of the daughters of God by receiving the Body and Blood of Christ.

“Daughters of Jerusalem:” the Children of Our Lady

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Mary, the Mother of God, nurtures and is nurtured in glory by her Beloved, her Son; the eight angels reveal the mystery of the Eighth Day, the glorious Kingdom of God, which is manifest in the celebration of the Holy Eucharist. At the altar, we enter into the eschatological reality of the Paschal Mystery, as we worship together— one Body of Christ, in heaven and on earth.

“Is he your Son, O Virgin of virgins? Is he your beloved, O most beautiful of women? ‘Clearly so… he is my Son, O daughters of Jerusalem (Song of Songs 5:9, 16). My beloved is love itself… and is found in whosoever is born of him.'”

In one of his sermons for the Nativity of the Mother of God, St. Guerric of Igny places these words from the Song of Songs on the lips of the Virgin Mary when he–the preacher–asks the Virgin to tell the congregation listening to the sermon about her Beloved, who is her Son. In this sermon, the “daughters of Jerusalem” are the monks and visitors listening to the sermon. These daughters of Jerusalem are also claimed as children of the Virgin as well: St. Guerric preaches that “she desires to form her Only-begotten in all those who are her children by adoption…. she nurtures them every day until they reach the stature of the perfect man, the maturity of her Son [Ephesians 4:13], whom she brought forth once and for all.” All those in whom love is found are members of her Son and thus her children by adoption and she nurtures them to share more completely in that Love which took flesh in her womb.

Just as St. Paul labored to give birth to Christ in his spiritual children (Galatians 4:19), the Mother of God is the mother of all those in whom Christ is born. “She herself, like the Church of which she is the type, is the mother of all who are reborn to life,” St. Guerric preached. What Mary gives the world, clothed with flesh, the Church gives us clothed with words, bread, wine, water, and oil. As the daughters of Jerusalem, we–no less than those who heard St. Guerric first preach his sermons–are privileged to nurture Love within us and among us as children of Mary, members of her Only-begotten.

St. Guerric of Igny (died 1157) was a scholar who became a disciple of St. Bernard of Clairvaux and took monastic vows to remain in St. Bernard’s community. But in 1138 St. Guerric was sent by St. Bernard to be the second abbot at the new monastery of Igny, near Rheims. As abbot there, St. Guerric became famous for the sermons he preached. His sermons for Advent-Christmas-Epiphany-Purification are especially stunning. Find translations of his sermons here.

“I am dark and lovely:” Part 2

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Our Lady of Montserrat at the Santa Maria de Montserrat monastery on the MontserratMountain in Catalonia, dates from the 12th century. The famed image once bore the inscription ”Nigra Sum Sed Formosa” (Latin: I am Black, but Beautiful). I had the privilege of visiting Our Lady in the church of Montserrat outside Barcelona many years ago; my children wanted to skip along the sheer edge of the mountaintop and protested when I insisted they step away from the edge: “Daddy won’t let us be light-hearted!”

“Do not gaze at me because I am swarthy, because the sun has scorched me,” protests the bride in the Song of Songs (1:5). St. Bernard of Clairvaux–in his sermons on the Song–interprets this swarthiness caused by the scorching sun, as the virtue that comes as the result of hard work and effort. It is also the swarthiness that “is caused by the heat of persecution…. the zeal for what is right…. to be on fire with fraternal love, to weep with those who weep, to rejoice with those who rejoice, to be weak with those who are weak.” St. Bernard tells us, Just like the burning sun therefore, the ardor of desire [for both God and neighbor] darkens her complexion while still a pilgrim in the body….”

She who loves God most ardently and is most burnt by her ardor for God and neighbor is identified by the tradition of the Church as Mary, the Mother of God. She is burnt by the burning sun but, like the burning bush, not consumed by the flame of the Divine. She is zealous for what is right while rejoicing and weeping with those who rejoice and weep. One of the most popular images of the Mother of God as swarthy lover of God is Our Lady of Montserrat.

The image is one of the Black Madonnas of Europe, hence its familiar Catalan name, La Moreneta (“the little dark-skinned one” or “the little dark one”). Believed by some to have been carved in Jerusalem in the early days of the Church, it is more likely a Romanesque sculpture in wood from the late 12th century.

Legend has it that the monastic community that developed on the mountain could not move the statue to construct the monastery, choosing to instead build around it. The statue’s sanctuary is located at the rear of the chapel, where an altar of gold surrounds the icon, and is now a site of pilgrimage.

The hymn to the Virgin of Montserrat, known as “el Virolai” and sung at noon each day by the Escolania de Montserratboys’ choir, begins with the words: “Rosa d’abril, Morena de la serra…” (Rose of April, dark-skinned lady of the mountain…). Therefore, this image of the Mother of God is sometimes also known as the “Rosa d’abril” as her feast is kept on April 27.