Corpus Christi = Triumph of Orthodoxy

Twice the Christian Church has been overwhelmed by controversy about whether God can be present in or act through material things.

The first time was in the Christian East, when the iconoclasts insisted that icons should be destroyed, not merely not venerated. You can read about all the dates and details in a book. The important thing to know is that the iconoclasts systematically leveled churches that were adorned with icons and dissolved monasteries, confiscating monastic property because the monks led the resistance against the iconoclastic efforts to wipe out icons. Finally, in AD 843, the icons were restored to the great cathedral of Hagia Sophia in Constantinople and a massive procession was held. People carried icons large and small through the streets of the imperial capital to celebrate the vindication of the icons, the triumph of Orthodoxy as it is still referred to, and every year on the first Sunday of Lent—the anniversary of that massive procession—each parish of the Greek and Russian Churches celebrates the Triumph of Orthodoxy again, processing with icons at least around the aisles of the church if not through the streets of the city.

The second time the Christian Church was torn apart by the controversy about whether God can be present in or at through material things was in the Christian West. You can read about the details of these Eucharistic controversies in books as well; the important thing being that these continued on and off for nearly 400 years. The Western Church was torn by riots between those who did vs. those who did not believe that Christ is truly present in the Eucharist. It was not until AD 1215 that the question was settled that yes, indeed, Christ IS truly present in the Eucharist and in 1246 a nun, Juliana, organized a procession with the Blessed Sacrament through the streets of a city in Belgium to celebrate Christ’s presence in the Eucharistic bread.

In both cases—the iconoclastic controversy in the East and the eucharistic controversy in the West—the dispute was about whether God can be truly present in material objects and whether it is appropriate to offer incense, prayers, and proskynesis (prostrations and genuflections). In both cases, the Church acknowledged that God can be present in material things because God himself was made flesh in the womb of the great Mother of God, Mary most holy and—in both cases—that incense, prayers, and genuflections are appropriate recognition of the presence of God. And in both cases people began to hold processions through the streets with the material objects that were at the heart of the controversies… icons in the east, the Eucharist in the west.

We hold processions through the streets with icons or the Eucharist to celebrate God’s blessing on the world in general and on our neighborhood in particular. We acclaim the Eucharist and offer our worship—music, incense, singing, kneeling and genuflecting—to recognize and celebrate God’s presence with us. God is with us and what else can we do but sing like the angels and bow down with our faces to the ground?

We should-we must carry the Eucharist in procession to celebrate that God is with us. Even here. Even now. But we should-we must examine ourselves, turning ever more completely toward the God who gives himself for us. Even here. Even now. And we should-we must forgive and embrace the neighbor that we find beside us—whether we like them or not—if we hope to experience the NOW of eternity as abundant, inexpressible joy. Even here. Even now.

My most popular post was also about Corpus Christi—almost 1,000 people viewed it on the day it was published! Read it here.

“I am wounded with love”

Painter: Greek School 17/18th Century Medium: Tempera on panel Location: National Museum of Fine Arts, Valletta, Malta

The bride says: “I am wounded with love.” (Song of Songs 2:5) She explains that the dart has gone right through her heart and the Bowman is love. We know that God is love (1 John 4:8) and that he sends forth his only begotten Son as his chosen arrow (Isaiah 49:2) to the elect, dipping … its tip in the Spirit of life. The arrow’s tip is faith and unites to the Bowman whomsoever it strikes. (St. Gregory of Nyssa, On the Song of Songs)

The bride in the Song is wounded by the arrow shot by the divine Bowman. The arrow, whose tip is dipped in the Spirit of life rather than the venom or poison common in the ancient world, binds her to the one who shot the arrow: God, the Father. Christ is the arrow and—unlike most arrows we are familiar with—this arrow’s wound does not kill; it causes the bride to live. Forever. Bound by faith and love to the Bowman who shot the arrow into the world, she shares the divine life of the Bowman (the Father), the arrow (Christ), and the Spirit.

The Mother of God, brought to the Temple when she was three years old, is presented by her parents to be brought up serving the Lord in his house. We see in the upper left hand corner of the icon the angel that brought her bread from heaven each day; this is a pictorial way of saying that she trusted in the Lord for her sustenance and support and so was capable of conceiving the one who is the true bread come down from heaven. This bread that she received from the angel united her in love to the giver of the Living Bread just as the arrow united the bride to the Bowman. The bread brought by the angel is spiritual sustenance just as the arrow’s point was said to be anointed with the Spirit.

Annunciation is the only time we read of in the Bible when the first words out an angel’s mouth were not “Don’t be afraid! Fear not!” The daily visitation of the angel to bring bread to the Mother of God is also a way to explain why she was not shocked to see the angel Gabriel although she was shocked at the angel’s announcement.