Happy birthday to Wolfgang and Charles!

I got these Christmas tree decorations–the Red Queen, the Cheshire cat, and the White Rabbit–at the Alice in Wonderland shop in Oxford.

Happy birthday! Wolfgang Amadeus Mozart was born in Salzburg on January 27,1756 and Charles Lutwidge Dodgson (later known as “Lewis Carroll”) was born in Cheshire, England on January 27, 1832. Both created famous female characters steeped in mystery and magic.

Mozart’s opera The Magic Flute features the Queen of the Night. She is first introduced as the desperate mother whose beloved daughter was kidnapped. But it ultimately appears that she is the villain of the story, who wants to steal the powerful Circle of the Sun. In many ways the Queen of the Night can be regarded as an early symbol of a free woman, given that she claims something which she regards as her legitimate heirloom, but whose property she was denied because she is a woman. She strongly resents this, and is willing to defy the patriarchal order who denies her all authority by any mean she can. She can also be regarded as a symbol of ignorance, either one who covets the Enlightenment she was denied or one who wants to destroy said Enlightenment out of intolerance.

When Dodgson was a professor at Oxford, he created the Alice in Wonderland character. She is also a free woman who sets out on her own to explore the strange alternate universe known as “Wonderland.” Both Alice and the Queen of the Night seem to depend on magic–Alice needed the bottle marked “Drink me” as well as the cookie marked “Eat me” and the Queen’s power and position is threatened by the sorcerer Sarastro–but neither seem to be completely in control of the magic they depend on.

When I’ve been to Oxford, I have seen many of the places that also appear in the Alice stories, such as the tree that the Cheshire cat sat in and the small door known as the “rabbit hole” in the dining hall. There is a small store there that features nothing but Alice-related items.

You can see great spoofs of the famous Queen of the Night aria here and here. Enjoy!

Who Comes to YOUR House on December 6?

krampus-stuffing-children-into-basket

Traditionally on December 5th and 6th, St. Nicholas walks from house to house in the cities and villages of Alpine and Central Europe to admonish and laud young and old. In the Alpine regions, he is accompanied by a Krampus (an evil creature, a devil of sorts), who is going to punish the bad children and adults on St. Nicholas′ command. For the honest children he normally has little presents. In Prague and the Czech-speaking areas of Central Europe, the čert (a clearly demonic character) accompanies St. Nicholas.

In Come Hell or High Water, both St. Nicholas and his čert appear:

“It was commonly supposed [in 1356] that St. Nicholas, as he made his rounds bestowing gifts on children and the needy, was accompanied by both a tar-covered čert, a pitch-black devil, as well as a bright and glorious andel, an angel of light, who each argued for or against the worthiness of the recipient of the saint’s benefactions. The čert was always ready, at the slightest nod from the saint, to carry away the unworthy beggar or misbehaving child and–throughout the year–parents could always warn their children that they might be carried away by the čert….”

St. Nicholas himself is a Christian figure, the fourth century bishop of Myra. As son of a well-situated family, he started to help poor people who lived in deep poverty. He was supposed to have miraculous vigor and so he became patron of the seamen, children and poor people. (See a previous post about St. Nicholas and his care for the poor here.) In most modern versions of the St. Nicholas story, he is accompanied by a monster or servant (the Dutch describe his assistant as Black Peter) who punishes the bad children while Nicholas himself rewards the well-behaved children.

The figure of the Krampus is based on pre-Christian custom. The Krampusse not only punish the bad children but had the function at one time of driving out the winter devils and blizzard sprites. Originally the custom of the Krampus was spread over all of Austria but was forbidden by the Catholic Church during the Inquisition. It was prohibited by death to masquerade as a devil or an evil creature and so this custom only survived in some remote, inaccessible, regions of the Alps from where it slowly spread back across the western parts of Austria again. Today the Krampusse revels are especially popular in Salzburg. As many times as I have been to Salzburg, I have never been there during Krampusse-time; I would dearly love to be there to see the processions and parades of costumed characters in the streets.

St. Nicholas and the Krampus procession in Salzburg (2010); photo by Charlotte Anne Brady.

St. Nicholas and the Krampus procession in Salzburg (2010); photo by Charlotte Anne Brady.

Krampus revels at the Salzburg Christmas Market, 2011; photo by Neumayr/MMV 05.12.2011

Krampus revels at the Salzburg Christmas Market, 2011; photo by Neumayr/MMV 05.12.2011

King Tut

Doesn’t everyone recognize the famous funerary mask of King Tut? It was on November 26, 1922, that Howard Carter and Lord Carnarvon first went inside the tomb of King Tutankhamen. (Photograph by Kenneth Garrett, National Geographic Creative)

Who doesn’t know about the curse of King Tut that killed everyone who dared disturb his tomb? Or that famous Mummy that hunted down those who disturbed his rest? But how did the Egyptians actually turn bodies into mummies?

I remember one time in the Egyptian Gallery at the Metropolitan Museum of Art that a mother was trying to calm a worried or frightened child, “Don’t worry! They took the bodies out of the mummies before they put them on display!” Of course, if that were true there would be no mummy left because removing the body would mean unraveling the bandages and destroy the mummy that we see on display.

The Egyptians thought that the dead would need their bodies in a recognizable form in order to reanimate them in the afterlife. The heat and dryness of the sand dehydrated the bodies quickly, often–but not always–creating lifelike and natural ‘mummies’ for the poor. But the wealthy wanted more care taken to preserve their bodies in order to be sure that they would actually have a usable mummy when they needed it.

Anubis was the jackal headed god of the dead–we have all seen the representations of Anubis in the movies about mummies. He was closely associated with mummification and embalming, so the chief priest/embalming overseer wore a mask of Anubis.

The priests would first insert a hook through a hole near the nose and pull out part of the brain because it and the other internal organs would rot and might prevent proper mummification. They would also make a cut on the left side of the body near the stomach and remove all the other internal organs as well. Once dried out, the lungs, intestines, stomach, and liver would be preserved each in their own canopic jar, apart from the mummy itself. The heart itself would be placed back inside the corpse.

Then they would rinse inside of body with wine and spices and cover the corpse with natron (salt) for 70 days. Halfway through this process, around the 40-day mark, they would stuff the body with linen or sand to give it a more human shape and at the end of the 70 days they would wrap the body from head to toe in bandages. That’s the mummy we see today, all wrapped up in strips of bandages.

Of course, the traditional “swaddling clothes” or “swaddling bands” that babies were wrapped in were very similar to the bandages that would be used to wrap up a mummy so the images of babies in ancient or medieval art often look very similar to mummies as well. Except that the baby’s face is not covered! (Medieval Christian art often depicted a person’s soul as one of these “mummified” babies.)