Category Archives: Apocalypse

New Heaven and New Earth

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Beatus of Liébana
Las Huelgas Apocalypse
Spain
1220

Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready like a bride adorned for her husband. (Apocalypse 20:1-2)

St. John has seen Hell and Satan bound with Death. Now he sees a new world emerge, clean and free of all stain. It is all that Isaiah hoped for: “Behold, I create new heavens and new earth” (Is. 65:17 and 66:2). It is everything that Enoch described: “The first heaven shall depart and pass away; a new heaven shall appear” (1 Enoch 91:16).

Some say that “there was no more sea” because the sea is the primaeval abyss, the chaos out of which matter emerged and there is no more chaos when judgement is complete. Some readers point out that seven markers of the fallen world are “no more” in the concluding chapters of the Apocalypse: the sea, death, mourning, crying, pain, every accursed thing, night. In the City of God, St. Augustine favors the idea that “the sea” is a euphemism for Death–cold, dark, deep, where a crowd can still be a vast collection of individuals in isolation. It is this Death that is no more in the new world adorned like a bride for her bridegroom and so the sea is “no more.”

In the Old Testament, the city Jerusalem is both a mourning virgin and a glorious bride. Now the time of her mourning has passed and her final victory and beauty are revealed. The bride of the Song of Songs takes her place alongside her heavenly bridegroom; during the Middle Ages, most sermons about the Song were also sermons about the Apocalypse and most sermons about the APocalypse were also sermons about the Song. The two texts go hand-in-hand. The Old Testament dreams of her glory and her dazzling garments are commonly read in church at Epiphany and Holy Saturday: the two days that most clearly anticipate the coming End and ultimate triumph of God.

Epiphany (the revelation of God’s glory in the darkness, the baptism of Christ when he descends into the water to slay the dragons hidden there as a dress rehearsal of his Passion) and Holy Saturday (Christ’s descent into the dark land of the dead–the sea mentioned earlier–to shatter the darkness with light and break the chains of those in prison there) are reflections in time of the eternal reality that is now revealed at the conclusion of the Apocalypse.

Epiphany. Holy Saturday. The conclusion of the Apocalypse. Jerusalem is adorned like a bride for her groom, the old context and environment of death and sin being swept away as the new context and environment of God’s glory is hidden no longer but emerges clearly for all to see.

Satan Bound for 1,000 Years

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Satan chained and bound by the angel (Beatus Apocalypse illumination). Medieval illuminations often depict Satan as an African Muslim, similar to the Moors who invaded Spain; the Moors personify the Enemy, the Other.

Then I saw an angel coming down from heaven with the key of the abyss and a great chain in his hand. He seized the dragon, that ancient serpent who is Devil and the Satan, and bound him for a thousand years…. When the thousand years are ended, Satan will be let loose from his prison. (Apocalypse 20:1-2, 7)

Satan is bound in prison for 1,000 years. This period of 1,000 years is taken by most early interpreters to mean the entire period of human history from the Crucifixion to the Last Days. Satan is bound in chains by Christ but not totally incapacitated–his minions still tempt and harass the human race. St. John describes each Christian’s victory over Satan, usually by martyrdom, as the “first resurrection;” the “second resurrection” is the General Resurrection of all the dead on Judgement Day.

Satan is loosed at the end of human history not so that he can unleash his anger any more against the human race; he is loosed so that he can be finally and definitively be cast down. Many early preachers used the image of a chicken or a snake beheaded to describe Satan: slain by Christ on the Cross, yet still able to make a mess and scare humans by spewing blood from the fatal wound but seeming to still be alive, running around–“like a chicken with its head cut off!”–or wriggling about.

Satan is often described or painted as having dark or black skin; often, a devil is described as looking like “an Ethiopian” by early Christian monks. Having black skin is not necessarily a dishonor in the Old Testament; the bride in the Song of Songs is “dark and beautiful.” Neither is appearing dark always associated with evil by other cultures: Clare Rothschild points out that “the Nile received its name from the Greek word νεῖλος (‘valley’). Since the river deposits black sediment after it floods, the Egyptians called the river ‘Ar’ (‘black’)…. Black is used of Egyptian gods and goddesses as an honorific: kmwr = ‘Great Black One’ for Osiris and km as epithet used with the name of the god (e.g. Hathor, Apis, Min, Thoth, etc.) or kmt, goddess (e.g. Isis)….” But the “counter-divine” is described as black by Sophocles.

Rothschild suggests that the devils and Satan were associated with Ethiopia because Ethiopia was outside Roman-Byzantine imperial control and was therefore associated with lawlessness. Several church fathers use the illustration that all humans were once Ethiopians (lawless) but have now been brought from lawlessness to righteousness by Christ. Pamela Patton suggests that medieval Spanish interpretations of the Apocalypse–such as the Beatus Apocalypse illumination above–align Satan and Ethiopians as a way to equate Satan with the Moors who invaded the Iberian peninsula and personified the Other, the Enemy.

Rothschild points out many fascinating associations with the color black that might also have influenced the depiction of Satan.

A Rider Faithful and True

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The rider Faithful and True on his white horse in the Tolkovy Apocalypse (Moscow, early 17th century).

And I saw Heaven wide open, and behold, a white horse; its rider’s name was Faithful and True and in righteousness he judges and makes war…. he was clothed in a cloak dipped in blood , and he was called the Word of God. (Apoc. 19:11, 13)

Christ, the Word of God, rides into battle and emerges victorious. The Word of God, the Logos, is the divine blueprint for the universe while the Wisdom of God is the practical application of that blueprint.

The New Testament tells us that the Word was made flesh (John 1:14) and the Old Testament tells us that Wisdom leaped down from the heavenly throne in the middle of the night to save the Hebrews in Egypt. This image of Wisdom coming to earth at midnight (Wisdom 18) to slay the enemies of Israel was first used by the Church to describe Christ’s descent into Hell and his Resurrection during the night between Holy Saturday and Easter morning but then the image of Wisdom’s descent to earth at midnight also suggested the birth of Christ at Bethlehem and eventually resulted in our celebrations of “Midnight Mass” on Christmas Eve.

The Word was made flesh. Wisdom came to earth. To say that “Wisdom built herself a house” on earth is the poetic equivalent of saying “The Word was made flesh and dwelt among us.” (Pope St. Leo the Great, Tome 2) The victory of the Word over the enemies of God is the victory of Wisdom over the enemies of God.

Christ is the Wisdom of God made flesh but because Wisdom—“Sophia” as she is identified in the oldest manuscripts of Proverbs—is a woman’s name, Wisdom has also been considered an allusion to Christ’s most pure Mother, the ever-blessed Virgin Mary. The victory of the Word-Wisdom is also the victory of the Mother of God, the Second Eve, treading on the head of the serpent that overcame the first Eve. Our Lady of Victory, although a feast to commemorate a victory over the Turks, is also an allusion to the victorious Mother of God who shares in the victory of her Son. She makes her Son’s victory possible by giving him flesh in her womb.