From Faith to Fantasy: How the Priesthood Shaped My Fiction

Holy Saturday (1991) at St. Mary Magdalen parish in Lampman Chapel at Union Theological Seminary. (photo courtesy of Alexandra Chistyakova LaCombe)

Holy Saturday (1991) at St. Mary Magdalen parish in Lampman Chapel at Union Theological Seminary. (photo courtesy of Alexandra Chistyakova LaCombe)

I served as parish priest for a small Eastern Orthodox congregation on the Upper West Side of Manhattan and at Columbia University for many years. I celebrated services, preached sermons, performed marriages and funerals. I counseled the confused and the despairing, taught those with questions, rejoiced with the joyful. I read. I shared what I had discovered on my own journey. Most importantly, I listened. Most people already knew the answers to their own questions; they just needed someone to help them listen to themselves.

Hopefully, that listening and sharing is reflected in my writing. I listen to the characters and help them to discover who they are and what journeys they are on. I share aspects of myself with each of them and they share themselves with me; if I am quiet and listen, I can share not only their joys and frustrations and despair myself but communicate their experience to my readers.

One aspect of Eastern Orthodoxy that is distinct from other styles of Christianity is the ongoing, living voice of Tradition. This is not simply a blind or rigid adherence to the past. As G.K. Chesterton wrote, “Democracy says everyone’s voice counts, even if they are stable hands or cowherds. Tradition says that everyone’s voice counts, even if they are dead. We shall not be governed by the oligarchy of those who simply happen to be alive. Some vote with stones, as in ancient Greece. Others vote with tombstones.” In order to do Orthodox theology in a modern context, we must be in dialogue with the great preachers and thinkers of the 4th-5th-6th centuries as much as we are in dialogue with modern thinkers; when wrestling with issues today, it is probably even more important to be in dialogue with the preachers and thinkers of the formative periods of Orthodox thought and practice than with those who simply happen to be our contemporaries.

My novels are shaped by the folklore, legends, and history of the places where they are set: the Baltic States (Estonia-Latvia-Lithuania), Poland, Bohemia (the modern Czech Republic), Ireland. My characters interact with those authentic pre-modern beliefs and practices, retelling and reshaping them for modern audiences. I introduce characters to each other that might not have met in their original settings but that have stories and experiences to share with each other. By sharing their experiences, they enrich each other and the readers who can eavesdrop on their conversations or thoughts.

Priesthood is primarily a way of being, of bridge-building. In writing, I try to be my truest self and attempt to build bridges between cultures and histories, practices and experiences, characters and readers.

(This essay first appeared as my guest post on Eve Heart’s blog in September 2016.)

Another photo of Holy Saturday 1991. (photo courtesy of Alexandra Chistyakova LaCombe)

Another photo of Holy Saturday 1991. (photo courtesy of Alexandra Chistyakova LaCombe)

Kindle Countdown to Hallowe’en!

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HAPPY HALLOWE’EN! TRICK OR TREAT!

Both Come Hell or High Water, Part 2: RISING and STORM WOLF are participating in the Kindle Countdown discount program on October 27-31, just in time to get the perfect reading for Hallowe’en OR Samhain on your Kindle or Kindle app! What a treat!

Both books go on sale October 27 and the price gradually rises until midnight on October 31, when both books resume their usual Kindle prices.

Remember that sales of Come Hell or High Water, Part 2: RISING help support the American Red Cross as part of the #VampireBooks4Blood program as well!

See the entire Come Hell or High Water trilogy here.

Read about the history of jack o' lanterns at http://www.history.com/topics/halloween/jack-olantern-history

Read about the history of jack o’ lanterns at http://www.history.com/topics/halloween/jack-olantern-history

Bad Moon Rising Interview

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Storm Wolf is infused with carefully researched authentic medieval and Renaissance magical practices and folklore, some taken from records of actual witchcraft and werewolf trials, as well as folk rituals.

What’s the first story you ever wrote?
I started telling stories when I was in grade school and began to write them down shortly thereafter. I wrote my first books – one was a story involving time travel using a “timeract,” similar to the tesseract from Wrinkle in Time (by Madeline L’Engle) and another with characters similar to those on Bewitched, my favorite television series — in middle school. I wrote an epic poem about the creation and fall of the angels similar to Paradise Lost in high school.

Which fictional character would you most like to meet and have a drink with?
The Wicked Witch of the West! From the Wizard of Oz movie, not the book! Hands down! Or, failing her then Margaret Hamilton (who played the role). That would be my dream come true! (*swoon*)

In the spirit of Halloween, what scares you?
I am squeamish and grossed out by blood-and- guts so I always look away during doctor shows or horror movies when they show close-ups of medical procedures or vicious attacks by monsters—Ugh! My peripheral vision isn’t always very good and so I am quite startled when someone just suddenly appears beside me whose approach I was unaware of. But I am truly scared of walking down a dark street at night when I am the only person on the block that I can see, or walking under scaffolding at night, where the shadows are even darker and deeper than the rest of the street. I will do almost anything to take another route or walk down the middle of the road to avoid those dark shadows!

Favorite hero and villain in a book/movie?
I first became interested in the occult and magic when I was very VERY young and saw The Wizard of Oz on television for the first and second times. The first time, my mom says I was terrified of the Wicked Witch’s appearance in Munchkin Land amidst smoke and flames and ran straight to bed! (I must have been 5 years old or so.) The next year I began watching the movie again and made myself stick with it past the appearance of the Witch and after that — I was hooked!

The Wicked Witch of the West became my favorite character because not only is she the most interesting but she is the only one who wields any real power in the movie. She became my idol for years and years! (When a major storm recently struck Manhattan, I made a comment on FB about the wind picking up our house and depositing it atop someone wearing peppermint stripped stockings and glittering red shoes and my cousin responded: ‘You’ve been chasing those shoes for YEARS!’ LoL!

My favorite hero? That character is much harder to identify because the Bad Guys and Villains are generally so much more interesting! I think Dallben, the enchanter in the Prydain Chronicles by Lloyd Alexander, is certainly one of my favorites. He is quiet, unassuming, and easily underestimated yet is clearly the mover-and- shaker behind the story, much as Merlin is in the King Arthur legends. I always thought that—given the choice and the opportunity—I would rather be Merlin than Arthur because Merlin may not be front-and-center but he is the one who directs all the action from offstage.

What do you consider the hardest part of writing?
I think getting the first half of any chapter down on paper is like scrabbling up a wall by your fingernails or struggling up a steep mountainside. Then, you crest the mountain’s ridge or reach the top of the wall and writing the rest of the chapter is like sledding down the other side of the mountain. I reach a critical mass or something that tips the weight and – “WHOOSH!” – down we go, the words flying out of my fingertips and onto the page. But then, what a struggle to begin the next chapter again!

What are you working on now?
I am currently working on both a nonfiction project and a novel. The novel is Earth to Earth, Ashes to Ashes and tells the story of Elizabeth, a young woman in late 1600s or early 1700s Waterford, Ireland who is forced to marry a wealthy, English landlord who beats her to death. But Elizabeth rises from her grave as the dearg-due (“red blood sucker”) who seduces and kills men. She is indestructible, immune to sunlight or garlic and can only be pinned back under the earth if a small cairn or tower of stones is erected on her grave.

(This interview first appeared on October 12, 2016 on the Bad Moon Rising site.)