Moses = Burning Bushes and Building Bridges

Moses was the lynchpin between God and Israel; as the Serbian proverb goes, he was the neck that turned the head (connecting the head—God—to the body, which was Israel). His encounter at the bush, as he was tending Jethro’s flocks, becomes an image of the Incarnation as the bush that burned but was not consumed is a foreshadowing of the Virgin who gave birth to God without loss of her virginity.

According to Wikipedia (so it MUST be true!), the Hebrew word in the story that is translated into English as bush is seneh(סנה‎) which refers in particular to brambles; seneh is a biblical dis legomenon, only appearing in two places, both of which describe the burning bush. The use of seneh may be a deliberate pun on Sinai (סיני‎), a feature common in Hebrew texts. (That the burning bush is a bramble bush also associates it with the bramble bush which is an important part of the story of the sacrifice of Isaac in Genesis 22.)

At the bush, Moses is commissioned to act as God’s mouthpiece, telling Pharaoh to “Let my people go” and telling the people of Israel what God wants from them. He is commissioned to build a bridge between God and the world—both the fallen world (Egypt) and the world being redeemed and healed (Israel). This role as the bridge builder between God and the world is essentially the role of a priest; one Latin word for priest is pontifex, which is literally “bridge builder.”

Even before Aaron is ordained as priest, Moses offers sacrifices to God on behalf of Israel. Moses builds the bridge between eternity and the world by his words and by sacrifice. In the Middle Ages, it was an especially meritorious act to leave money in your will to build a public bridge that did not charge a toll across a river. Building a toll free bridge was a priestly act, uniting two sides of the river as a priest unites worlds in the liturgical sacrifice and preaching. (Without a bridge, people might have to travel several miles—hours—out of their way to find a place to cross the river. A toll bridge, built by someone who wanted to make a profit on their construction investment, limited river crossing to the well-to-do; a toll free bridge was an image of Christ’s sacrifice freely available to all.)

Moses built a bridge between God and Israel. Israel, the priestly people commissioned at Mt. Sinai, built a bridge between God and the world. The Word-made-flesh, who spoke to Moses at the bush, built the ultimate bridge that brought together everything he was not with everything that he is. The Church, the Body of the Word-made-flesh, continues that ministry of bridge building.

Sant’Apollinare in Ravenna & the Magi

Magi leading the Empress Theodora and the wise virgin-martyrs in procession to the Mother of God and Christ in the church of San Apollinaire in Ravenna.

St. Apollinaire was a Syrian, elected to be the first bishop of Ravenna (which was later the Byzantine capital of Italy). As the first bishop of Ravenna, he faced nearly constant persecution. He and his flock were exiled from Ravenna during the persecutions of Emperor Vespasian (or Nero, depending on the source). On his way out of the city he was identified, arrested as being the bishop, tortured and martyred by being run through with a sword. 

The church of San Apollinaire in Ravenna is a masterpiece, a jewel of Byzantine iconography and mosaics. It was erected by the Ostrogothic king Theodoric the Great during the first quarter of the 6th century. It was re-consecrated in AD 561, under the rule of the Byzantine emperor Justinian I, Justinian and his wife, the empress Theodora, appear in the mosaics of the church, each leading a segment of the offertory procession towards the altar during the celebration of the Eucharist.

The mosaics also depict a procession of the wise virgin-martyrs, led by the Three Magi, moving towards the group of the Madonna and Child surrounded by four angels. (The Magi in this mosaic are named Balthasar, Melchior and Gaspar; this is thought to be the earliest example of these three names being assigned to the Magi in Christian art.)  The Magi are wearing trousers and Phrygian caps as a sign of their foreign origin. The gifts which the Magi and the wise virgins bring are reflections of the gifts which the congregation are bringing to present: bread, wine, water for the celebration of the Eucharist and food or clothes to be distributed among the poor and needy during the week.

The celebration of the Eucharist was often seen as a procession or pilgrimage in which the parish journeyed from earth to the Kingdom of God and then returned to earth to minister during the week what they had received on Sunday. During the celebration, the parish stepped outside time to stand alongside the Magi, the priest-king Melchizedek, Abraham and Isaac—all of whom also appear in the mosaics of this church—with the saints and martyrs of all times and places to worship God in eternity (as described in the Epistle to the Hebrews and the Book of Revelation, which are the first liturgical commentaries). The offertory procession is a visual shorthand to refer to the entire celebration.


The Magi were consistently venerated as the first non-Jews to come and worship Christ so they were considered the patron saints of all Christians of Gentile backgrounds. A shrine of the Three Kings at Cologne Cathedral, according to tradition, contains the bones of the Magi. Reputedly they were first discovered by Saint Helena on her famous pilgrimage to Palestine and the Holy Lands. The remains were first kept in the church of Hagia Sophia in Constantinople; they were later moved to Milan before being sent to their current resting place by the Holy Roman Emperor Frederick I in 1164.

What prompts these thoughts about Ravenna, St. Apollinaire, and the Magi? The martyrdom of the saint and the translation of the relics of the Magi to Cologne are both commemorated on the same day (July 23).

Read more about the Magi in previous posts here and here and here.