Christ in glory as described in the Apocalypse, surrounded by the four heavenly beasts which are emblematic of the four evangelists. The 8-pointed stars in the concentric heavenly spheres are iconographic shorthand for the Saints gathered around Christ.
“In his right hand he held seven stars, and coming out of his mouth was a sharp, double-edged sword. His face was like the sun shining in all its brilliance.” (Apoc. 1:16)
St. John describes his initial vision of Christ in the Apocalypse in terms very similar to the description of Christ at the Transfiguration in the Gospels of Matthew, Mark, and Luke. Christ is shining more brilliant than the sun, in clothes more brilliantly white than possible on earth. The transfiguration itself is commonly associated with the End, the final Judgement and the revelation of the saints and righteous who will also shine more brilliantly than the sun. This “theosis” or “divinization” is also the common term for Greek-speaking Christians to describe salvation itself: by cooperation with God, the human person becomes like God and comes to share certain divine attributes–primarily love-charity. This assimilation of human to divinity is described in 2 Peter 1:4: “… that you may be partakers of the divine nature, having escaped the corruption that is in the world through lust.”
The seven stars in Christ’s hand are commonly seen painted–many times over!–on the ceilings of churches. These stars are not meant to be stars in the sky, as if the roof were invisible, but are artistic shorthand for painting the saints in the Kingdom of Heaven. Rather than painting a multitude of faces, the church is adorned with a multitude of stars just as the righteous are commonly described as stars in visionary literature.
The sword which is the word of God (Isaiah 49, Wisdom 18, Hebrews 4) is both text and person. The “word of God” in English is commonly understood to be text, the word(s) spoken by God while the “Word” of God is understood to be the Divine Person who was incarnate. These distinctions of upper-case and lower-case are all editorial choices based on the theological opinions of the editors or typesetters. But in the Greek manuscripts there were few–if any–distinctions between upper-case and lower-case letters so that each time the phrase “word of God” appears it would have been understood to be BOTH the text spoken and the Divine Person who was made flesh.
At left, Mercy and Truth as women, veiled with wimples, labelled MISERICORD and VERITE, stand facing, grasping each others hands. At right, two women kiss, Justice, wearing hat, holding sword with right hand, and Mercy, wearing hat, and holding casket with both hands. They flank Gabriel, back-turned, raising scepter with left hand, kneeling, looking up toward Trinity in arc of Heaven. (Book of hours (Ms. Pierpont Morgan Library. M.73) (Paris, France, ca. 1475.)
“Mercy and truth have met together; righteousness and peace have kissed each other. Truth shall spring up from the earth, and righteousness shall look down from heaven.” (Psalm 85:10-11)
These four virtues–mercy, truth, righteousness, and peace–are often referred to as “the four daughters of God.” The virtues come to be seen as personifications, four celestial women, similar to angels or archangels. The most important contributors to the development and circulation of the motif were the twelfth-century monks Hugh of St Victor and Bernard of Clairvaux. (Christian thought might have have been inspired by an earlier eleventh-century Jewish Midrash, in which Truth, Justice, Mercy and Peace were the four standards of the Throne of God.)
The four daughters might sometimes be thought to be gathered around Christ on the Cross as they–all four–are manifest in differing ways by the Crucifixion and Resurrection of Christ. The verse, “Truth shall spring up from the earth and righteousness … look down from heaven” might also be associated with the Nativity of Christ and his–Truth’s–springing up on the earth and being laid in a manger while Righteousness–the other persons of the Holy Trinity–look down on the scene in Bethlehem. The association of the four daughters with the Incarnation is underscored because they also appear in two sermons by St. Guerric of Igny on Luke 2 “for February 2:
“In this gathering [of the Virgin Mary, Christ, St. Joseph with SS. Simeon and Anna] finally mercy and truth have met … the merciful redemption of Jesus and the truthful witness of the old man and woman. In this meeting, justice and peace kissed when the justice of the devout old man and woman and the peace of him who reconciles the world were united in the kiss of their affections and in spiritual joy.” (Sermon 16.6)
“Rightly then are compassion and truth or faith joined together, since in all our ways–unless compassion and truth meet–it is to be feared that sins will be increased rather than purified…. [There is no forgiveness] if compassion is lacking faith or faith, compassion.” (Sermon 18.5)
The motif of the four daughters of God was influential in European thought. In 1274-76, Magnus VI of Norway introduced the first “national” law-code for Norway and makes prominent use of the allegorical four daughters of God: Mercy, Truth, Justice, and Peace. These daughters have the important role of expressing the idea—which was innovative in the Norwegian legal system at the time—of equality before the law.
The motif changed and developed in later medieval literature, but the usual form was a debate between the daughters (sometimes in the presence of God):
about the wisdom of creating humanity and about the propriety of strict justice or mercy for the fallen human race. Justice and Truth appear for the prosecution, representing the old Law, while Mercy speaks for the defense, and Peace presides over their reconciliation when Mercy prevails. *Michael Murphy, ‘Four Daughters of God’, in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91. )
This psalm is also often suggested in traditional prayer books as a preparation for receiving Holy Communion. The communicant prepares to join the fellowship of the daughters of God by receiving the Body and Blood of Christ.
This Byzantine image is another depiction of Gideon and the miracle of the angel meant to reassure Gideon that he was chosen to save Israel from their enemies. There are many more icons of this event here.This contemporary Greek image depicts Gideon and the commander of the heavenly armies on the left; on the right is the Mother of God enthroned with Christ. Read more here.
I recently wrote about St. Mary Major and the miracle of the snow in Rome. I realized this morning how similar the story about St. Mary Major is to the story of Gideon and the miracle of the fleece in the Old Testament.
In the book of Judges (chapter 6), we read that Gideon was told by an angel that he would save the people of Israel from their enemies as they were settling the Promised Land after wandering in the desert for 40 years after the Exodus. But Gideon wants reassurance that God would fulfil this promise that he would lead the people to victory. He tells the angel,
“If now I have found favor in your eyes, then show me a sign that it is you who speak with me.Please do not depart from here until I come to you and bring out my present and set it before you.” And the angel said, “I will stay till you return.”
So Gideon went into his house and prepared a young goat and unleavened cakes from an ephah of flour. The meat he put in a basket, and the broth he put in a pot, and brought them to him under the terebinth and presented them. And the angel of God said to him, “Take the meat and the unleavened cakes, and put them on this rock, and pour the broth over them.” And he did so. Then the angel of the Lord reached out the tip of the staff that was in his hand and touched the meat and the unleavened cakes. And fire sprang up from the rock and consumed the meat and the unleavened cakes. And the angel of the Lord vanished from his sight. Then Gideon perceived that he was the angel of the Lord. And Gideon said, “Alas, O Lord God! For now I have seen the angel of the Lord face to face.” But the Lord said to him, “Peace be to you. Do not fear; you shall not die.”
After Gideon wins a series of battles, the enemies of Israel gather large reinforcements and Gideon calls for more Israelites to join him. While he is hoping the Israelites will respond to his call and come to join him, we are told that
… Gideon said to God, “If you will save Israel by my hand, as you have said, behold, I am laying a fleece of wool on the threshing floor. If there is dew on the fleece alone, and it is dry on all the ground, then I shall know that you will save Israel by my hand, as you have said.”And it was so. When he rose early next morning and squeezed the fleece, he wrung enough dew from the fleece to fill a bowl with water. Then Gideon said to God, “Let not your anger burn against me; let me speak just once more. Please let me test just once more with the fleece. Please let it be dry on the fleece only, and on all the ground let there be dew.” And God did so that night; and it was dry on the fleece only, and on all the ground there was dew.
Christian preachers always associated both the miracle of the sacrifice consumed by fire and the miracle of the fleece with the Incarnation of the Word of God in the womb of the Virgin Mary. St. Ambrose of Milan preached, “as soon as the Angel touched them with the end of the staff which he bore, fire burst forth out of the rock, and so the sacrifice which he was offering was consumed. By which it seems clear that that rock was a figure of the Body of Christ, for it is written: “They drank of that rock that followed them, and that rock was Christ.” (1 Cor. 10:4)
Other early Christian writers, such as St. Proclus of Constantinople describe the Blessed Virgin as the “loom” of the incarnation and linked the miracle of the fleece with Mary: “The holy Mary has called us together, that undefiled treasure of virginity… the most pure fleece with heavenly dew, from which the Shepherd clothed the sheep… She is the awe-inspiring loom of the incarnation.”
The dew on the fleece that announces God’s choice of Gideon is remarkably similar to the snowfall that announces God’s choice of the building site for the church of St. Mary Major in Rome. Both miracles announce to the world what God has previously revealed to only a few people and both miracles are associated with the Mother of God whose consent made the incarnation possible.
