St. Michael and the Dragon: Victory in Heaven

The war in heaven depicted in “Las Huelgas Apocalypse,” Spain AD 1220; the commentary of Beatus of Liebana.

Then war broke out in heaven. Michael and his angels fought against the dragon. The dragon and his angels fought back and he did not prevail…. The great dragon was thrown down, that ancient serpent who is called Devil and Satan, the deceiver of the whole world…. (Apocalypse 12:7-9)

The Archangel Michael (Jude 9) is the captain of God’s armies and the champion of the Chosen People (Daniel 10:21, 12:1); in the Old Testament, he is the most powerful figure, second only to God. Although Satan does occasionally appear in heaven (Job 1), he is definitively cast down and overthrown here.

The dragon is identified both with the serpent who tempted Eve and with the adversary, the accuser who demanded that God allow him to test the sincerity of both Job and the Apostle Peter (Luke 22:31). Satan wanted to ruin them both but did not succeed. Satan, the dragon, wants to ruin the human race. He wants to ruin the entire creation. His jealousy goads him to want to destroy everything (Wisdom 1-2) but in the end, his jealousy destroys only himself.

Often the spear that St. Michael uses to fight the dragon with is a wooden lance; it is by the wood of the Cross that the dragon is overthrown. The archangel Michael’s victory is the heavenly and symbolic counterpart of Jesus hanging-dying on the Cross. The martyrs, as members of the Body of Christ, who testify-witness about the victory of the Cross, share in this victory but the victory is demonstrated by their dying as Christ died on the Cross. The events described in chapter 12 of the Apocalypse—the woman clothed with the sun, the dragon, the war in heaven—are the central events of the Apocalypse, around which everything else revolves, because they are the representation of the central events of earthly history.

“I saw Satan fall like lightning from heaven,” says Jesus (Luke 10:18); therefore the apostles are able to cast out devils who possess humans. The Lamb, “who was slain from the foundation of the world,” is both eternally the victor and the one who wins the victory at a particular time-place in the world. Both the eternal victory and the victory in time are true; neither victory cancels or outweighs the other.

The dragon is not simply THE Devil, a single angelic personality. The dragon is all the enemies of God at once; in Ezekiel 29:3 and 32:2-3, we read that the Pharaoh of the Exodus is “like a dragon in the sea,” a great water monster who attempts to devour the Chosen People. The dragon is the Roman system which attempts to eradicate the Church. The dragon is everything and everyone who attempts to deny the victory of the Cross.

Woman Clothed With the Sun

The woman clothed with the sun attacked by the seven-headed red dragon depicted in a 17th-century fresco in a Mt. Athos monastery.

A great sign appeared in heaven: a woman robed with the sun, with the moon under her feet, and a crown of twelve stars on her head. She was with child and she cried out in her pangs of birth …. Then a second sign appeared in heaven: a great red dragon with seven heads …. (Apocalypse 12:1-6)

The woman clothed with the sun is one of my favorite characters or episodes in the New Testament. In the earliest commentaries, she is understood to be the Church, the New Israel, and the baby she gives birth to is the new Christian–at this period, typically an adult–who emerges newborn from the baptismal font. The red dragon with seven heads is the Roman imperial system who attacks the Church and slays the martyrs. The woman and her baby–the Church and the newly baptized–escape to safety in the wilderness, which is where the early ascetics and first monastics fled to pray and fast.

One of my favorite patristic texts–one of the first I ever read in its totality, as a freshman in the Sterling Library at Yale–is The Banquet by St. Methodius of Olympus. The Banquet is the one of the first and is the most extensive of the early Christian discussions of the woman clothed with the sun.

In the third century, commentators begin to see the woman clothed with the sun as the ever-virgin Mother of God who gives birth to Christ. They are attacked by Herod and flee to safety in Egypt. The importance of this interpretation of the Mother of God grows in importance as she becomes a model for the ascetics and monastics in the desert-wilderness, usually in Egypt but also near the Jordan River.

The image of the woman clothed with the sun becomes associated with the “falling asleep” (the Dormition or Assumption) of the Mother of God. She is taken into eternal glory in the Kingdom of God because she is the Mother of God who gives her flesh to the Word. Everything human about the Word-made-flesh came from her; his DNA is her DNA. She is the first believer to be taken into glory as a pledge of what all members of the Body of Christ will experience.

The woman clothed with the sun is one of the most frequently depicted figures in the New Testament. If the Apocalypse is a multi-valent and many layered text, the woman clothed with the sun is one of the most multi-valent and many layered figures in the New Testament.

The woman clothed with the sun in an illumination from the Beatus manuscript of the Apocalypse.
Another medieval manuscript illumination depicting the woman clothed with the sun escaping from the great dragon.

Many Faces of Antichrist

The figure of the Antichrist appears in several places in the New Testament before he appears in the Apocalypse (Book of Revelation). In the first epistle of St. John, we read Children, it is the last hour; and as you have heard that antichrist is coming, so now many antichrists have come; therefore we know that it is the last hour.” (1 John 2:18) The antichrists are those who oppose the apostle’s teaching. They are the heretics (lit. “the choosers”) who choose a different teaching and place themselves in opposition to the Church.

In the 2nd epistle to the Thessalonians, the antichrist is the “man of lawlessness” (2 Thess. 2:3-10) who opposes peace, order, and harmony–both civil and ecclesiastical. The seven-headed, ten-crowned dragon of the Apocalypse is typically identified with this “man of lawlessness,” the Antichrist. The dragon deceives and destroys, confusing and laying waste to the Church and the known world.

St. Paul makes the cryptic remark: “… the mystery of lawlessness is already at work; only he who now restrains it will do so until he is out of the way.” (2 Thess. 2:7) Who restrains the Antichrist? St. Paul seems to presume that his readers know but later readers have had to surmise. Even St. Augustine threw up his hands and exclaimed, “I admit that the meaning of this completely escapes me.” (City of God, Book 20, chapter 19)

St. John Chrysostom considered the Antichrist to be the personification of chaos and destruction. It was the power of Rome (even in her pagan days) that kept complete anarchy and destruction at bay. Chrysostom thought of himself as a “Roman” living in the “New Rome” of the ongoing Roman Empire that continued to constrain the Antichrist. Many early fathers and preachers agreed with him and would probably say that “that which restrains the Antichrist” continued to do so until 1917-1918, when Austro-Hungary and imperial Russia–the last two governments to see themselves as the continuation of the Roman Empire–finally collapsed or were overthrown.

The idea that imperial rule kept the world safe from evil is ancient. In the Old Testament, it seems that the ancient Israelites thought the kings of Israel were the “first line of defense” against the evil angels. (For more about this, see Margaret Barker‘s book, The Last Prophet.)